Jun 27, 2019

Have You tried Sketching with Ink?- Painting and Drawing Tips


Are you afraid of permanent ink?

Does a strong black line scare you?

Once it hits your page, it’s there for life. Can’t be erased. Can’t be hidden.  
Scary, Yes.

Sketchbook Work: Trees and Moss - a real West Coast Scene, eh?!  I really enjoy this mix of ink work with only part of it painted in watercolour.  
I know many of my readers who read my report on sketching in Italy this spring, (see post Here) were surprised when I suggested as a time saver to ‘just go straight to ink”.  When drawing a street scene, I skipped the pencil layout and jumped in with my pen.  It really made for fast work.  With my sisters hot on my tail to move on, I needed lots strategies to finish my drawing and not keep them waiting too long.  Grabbing my pen and running with it, was a real time saver. 

Yes, you are right.  It is easy for me.  
But it was not always that way.

 It definitely took lots of practice.  Practice brought on confidence.  And that was the game changer for me. 

Why use pen for your Outdoor Sketching?

It gives you a quick dark, creating more drama in your drawings.
It gives you a lively line, that is full of life, doesn’t look contrived. 
It is quick, moving you into the fun stuff of drawing. 
It looks great on its own but with a bit of colour it makes your work shine.
It gets you drawing with a looseness that will show up in all your work. 
It can’t be erased, leaving you free to draw rather than trapped in the erase/correct mode. 

Ok, I know, I am prejudice.  I personally love the crisp dark line on white paper.  I enjoy the feel of my pen jumping and gliding across the page.  I love the way the dark lines give my work that extra dimension of depth.

Getting started

Supplies: 
a. Use a 03 Pigma or Steadler pen.  (a good size for a 5.5. x 8 in sketchbook.  Bigger book, use a 05).  Permanent Ink, of course.  These pens come in other colours and by all means, pick a colour you like.  I use other colours as well but Black is my favourite. 

Pens are inexpensive, come in different sizes and colours. 

b. Sketchbook. I suggest a Mixed Media Book as then you are free to add watercolour to your line work if you wish.  They also seem to have the whitest paper, which appeals to me.

c.  Other supplies: See my post "My really Smallmendous Art Kit"  This has everything I need for working in the field with my sketchbook.  

Pick User friendly Subjects:
Yes, there is such a thing.  Subjects that let you take your pen and run with it.  A chance to enjoy the drawing rather than worrying about being exact.  A fence post is one of my favourite User friendly subjects. 

Step 1: Grab your pen and draw along with me


When restating the edges of the post, be sure to cross over your initial line.  Go inside and outside of it making the edges of your post ragged and weathered.  


Step 2: As you work, feel the movement of the pen to paper, there is a real sense of freedom

As you work grain lines into the post and add your grass, notice the power of mixing thin lines with thick lines.  With the grass, notice the power of a few dots at the end of a stroke, suggesting seeds or flower husks.  And most of all, notice the power of the broken line.  These are the secrets of line work that can add new dimensions to your work.  

Step 3: Add your own little details, flowers, leaves . . .  
After adding your details go back and add the shading.  Note how I have suggested my post is round by just having a soft shadow line. 

Step 4: Added shadowing in the grass brings out more depth

Here is my little fence post finished.  Did you feel the looseness of your pen work?  Did you notice the life that your line work had, when not dictated to by pencil lines.  (Don't get me wrong, in a more complex drawing there is a need for some pencil layout.  My goal is to reduce that layout as much as possible and jump to my pen)  Oh, btw, did you notice that your original layout lines have 'disappeared'.

A Final Touch: A BIT OF COLOUR

Step 5: Just for fun, dropped in some colour
Just for fun, I added some colour and a few random strokes in the background to give a little depth.  (This is the beauty of those permanent ink pens, the ink dries quickly and wont run when you add water. ) If you do decide to add some watercolour, let it flow as well.  You do not need to 'paint inside the lines'.  Especially in the grass.  Bits of green outside the grass offers another value and more depth to your work. 

Is your pen starting to call to you?  Looking for more practice. If you live in town, think about joining me this summer for a Morning of Outdoor Sketching.  An easy way to immerse yourself into sketching with ink and watercolour.  See the info below ↓  ↓  ↓  

OR Book a 3 Pack of Private Lessons with Me.

My Etsy Store is always OPEN: Etsy - WendyMouldsArt

Originals, Prints, Commission Work and Instant Printable Cards for all Seasons available.


Join me for a morning of  Outdoor Sketching: 

Small group Outdoor Sketching Classes on Tuesday morning, July 30, August 6, 13, and 20.

The classes will be small, max  5.  We will meet at 10-12:30 in a few of the local parks in North Surrey.  ie. Bear Creek Park, Tynehead Park.  The cost is: $45 tx incld. per session  Book all 4 sessions for $150. Bring your own supplies
Contact Me to register.   and for more information. 

FYI
Plein Air Event at Kilby Historical Site - August 16 -18, 2019

215 Kilby Rd, Harrison Mills, BC – approx. 1.5 hr drive from Vancouver
(or stay our there. I like to camp at Kilby Campsite but there are lots of  places to stay close by.  Makes for a great little adventure.)

 On Friday, Saturday and Sunday morning, painters will be capturing  breathtaking historic vistas, 1920s farm equipment, historic buildings, lush gardens & orchards, delightful farm animals and surrounding mountains.  Not hard to find something to catch your eye.

This is a fun, outdoor adventure for everyone.  Sunday afternoon, brings live entertainment and awards ceremony.  There is a competitive and non-competitive part to the event, so great prizes for everyone.  Cost $15 Registration: events@kilby.ca  more info: kilby.ca

I have been part of this event since it started 5 years ago and I never get tired of wondering the grounds and finding little vignettes to paint.  I know you will enjoy yourself.

If you decide not to join us to paint, come out and see the fun.  On Friday and Saturday,  Artists are set up all over the grounds working away or come see the 'Showing and Sale' on Sunday.

Be sure to like and share my posts.
You won't miss a single post if you Follow by Email or Like my Facebook Page.
Have a great Artful Day,

Wendy



Jun 20, 2019

Catching the Light - Out Door Sketching - Painting & Drawing Tips

 Are you feeling stifled, stuck in your studio?
Does the outdoors call you?

I know how your feel.

THE STONE LION - This is one of the lions that guards the Forbidden City in Beijing (no I am not in China right now, I only wish!!)

 Painting and drawing are my passions but I get so tired of the AC world.  I want to be out and about. Trying new colours, painting something different or taking on a new challenge. 

The good weather is here and I am ready to roll.
 
I promised a new medium to wet your appetite and give you something new to think about.  Of course it incorporates ink.  Now, don’t panic and turn away.  A little black ink can really make your work pop.  I find that no matter how hard I try, without including ink, I just don’t get my darks, DARK. 

Without that true dark, things just don’t pop. 

So as you guessed, the new medium for outdoor work is mixed. 

1.     Permanent ink:  in the form of Micron or Staedler pens.  I like to use 03 for a small sketchbook, 5.5 x 8.5 and a 05 for a larger one.  Of course, it is nice to have a 02 or 01 in the bag when you want a light crosshatching shadow. 
2.    Coloured Pencils: Prismacolour.  Yes, coloured pencils with a bit of ink look awesome together.  Note my Stone Lion above. 

I find a pack of 24 has a good colour selection and doesn't take up too much room.  

Now why coloured pencil . . .

The pencils are very portable: light weight, clean, small. A 24 pk gives you lots of colours to play with and yet take up little room.  The colours can be mixed easily:  this can be done working in layers; different pressures; glazing; putting colours side by side.  Your old rules of mixing still apply.  Opportunities to include different textures by glazing over colours or leaving them rough. 

They can give you fast results when your time is limited.  Note the mix of colour (the Lion) and plain ink (the stand) They can both can stand together or alone on your page to bring your ideas to life.  

Working quickly is soooooo important in Outdoor Sketching. . . .

 light changes, things move and time disappears. 

Yes, you need to be quick because life is changing in front of you.  But more importantly working quickly teaches you so much. 

LITTLE BUCKETS - note the colour mixing and light strokes to quickly add colour to the outline drawing

1.     You don’t dither and doubt:  so easy to do in the studio.  And yes, when working on a large finished piece you need to think before you act.  But you loose the spontaneity in your work.  That lively line or stroke. Working in your sketchbook, gives you permission to not be perfect and give things a try.

2.    You mix and move on: Experimentation happens more readily when you need to move.  Working in a sketchbook allows that freedom to say “What the heck” and give it a go.  I have discovered many new ‘colour combos’ from these moments.  Note all the colours in the bark below.  Certainly a brown tree is more than just brown.  

LITTLE BUCKETS -  Note all the colour mixing on the tree - deep black and indigo for the grooves in the bark, some reds, oranges and browns and even green, the reflection from the foliage and a bit of grays, the reflection from the buckets.  

3.    You don’t stumble and stall: How often has an errant line or stroke caused you to stop.  You get hung up on the mark.  You restate the mark.  You correct and restate.  In short you are stalled.  Unable to move on.  The freedom of the sketchbook and the hum of the sunlight will keep you moving, letting that wayward mark sink into your work and get lost.  Yes, believe it or not.  A wayward permanent ink mark can get lost in your colouring and shading.   Once you are finished, it's gone.  Give it a try and see for yourself. 
LITTLE BUCKETS: pressing hard to glaze white over the buckets, mixed and blended the colours and gives a smooth look.  Light pressure to colour the tree with a yellow glaze leaves a more granular texture and tones it down

So grab you pen and pencils and head out to draw. 

What is your favourite medium for outdoor sketching? 

Up next, a few tips and techniques for getting your pen moving and into your sketching more.

Looking to get your Sketchbook Up to Snuff: check out my Italy series on Sketch-Booking: 

1.  Is Your Sketchbook Ready to Roll
2.  My Really Smallmendous Art Kit
3.  Did you Test Run your Portable Art Kit
4.  Sketch-Booking in Italy - Part 1
5.  Sketch-Booking in Italy - Part 2 



My Etsy Store is always OPEN: Etsy - WendyMouldsArt

Originals, prints and Instant Printable Cards for all Seasons available.


Join me for a morning of  Outdoor Sketching: 

Small group Outdoor Sketching Classes on Tuesday morning, July 30, August 6, 13, and 20. 

The classes will be small, max  5.  We will meet at 10-12:30 in a few of the local parks in North Surrey.  ie. Bear Creek Park, Tynehead Park.  The cost is: $45 tx incld. per session  Book all 4 sessions for $150. Bring your own supplies
Contact Me to register.   and for more information. 

FYI
Plein Air Event at Kilby Historical Site - August 16 -18, 2019


215 Kilby Rd, Harrison Mills, BC – approx. 1.5 hr drive from Vancouver
(or stay our there. I like to camp at Kilby Campsite but there are lots of  places to stay close by.  Makes for a great little adventure.)

 On Friday, Saturday and Sunday morning, painters will be capturing  breathtaking historic vistas, 1920s farm equipment, historic buildings, lush gardens & orchards, delightful farm animals and surrounding mountains.  Not hard to find something to catch your eye.

This is a fun, outdoor adventure for everyone.  Sunday afternoon, brings live entertainment and awards ceremony.  There is a competitive and non-competitive part to the event, so great prizes for everyone.  Cost $15 Registration: events@kilby.ca  more info: kilby.ca

I have been part of this event since it started 5 years ago and I never get tired of wondering the grounds and finding little vignettes to paint.  I know you will enjoy yourself.

If you decide not to join us to paint, come out and see the fun.  On Friday and Saturday,  Artists are set up all over the grounds working away or come see the 'Showing and Sale' on Sunday.

Be sure to like and share my posts.
You won't miss a single post if you Follow by Email or Like my Facebook Page.
Have a great Artful Day,

Wendy

Jun 13, 2019

Finish Your Sketchbook with a FLAIR!! - Painting & Drawing Tips

Have you every noticed how BORING the covers of a really good sketchbook are??
My favourite Travel Sketchbook - Stillman & Birn (Zeta Series)  BUT not exciting/inspirational to look at!!

Don't get me wrong, my favourite travel sketchbook is a Stillman & Birn - Zeta Series.

 The paper is smooth allowing great freedom for my pen or pencil work.  The pages are thick, meaning my watercolours can be wet and intense but the colours don't show through.  And best of all, the pages don't warp and wrinkle.  The book opens flat, making it easy to work on.  And in my favourite size  5.5 x 8.5 inches, which is light, compact and great to slide into my backpack.

But that dark navy blue cover is BORING!!

Hence, my need to finish my sketchbook with a Flair!!

Now this may not be a problem for Acrylic and Collage Artists as they are use to working on just about any surface  But for those of us that work in watercolour, colour pencil, pencil, ink; those kind of media do not like just any kind of support.  They want their own special stuff and it certainly doesn't include sketchbook covers.

So we have to improvise . . . 

You are probably wondering WHY?  Why even worry about it.  Why do anything.  Just move on to another book.

Well for me, my sketchbooks are my BFF's.  I take them everywhere.  I work on them everywhere.  I like to look at them, share them, enjoy them.  They inspire me.  They fill me with joy.  (Especially on those days when I need a nudge.)  They record my history.  I love looking back.  They give me confidence to move forward.  See what I mean, they are important and so I need to finish with a FINALE.

Finishing my Italy Sketchbook with a FLAIR

The Trevi may be full of tourists but it is a magnificent sight to see 

1.  My idea: I want a picture from my adventure on my cover.  This is something I decide towards the end of my trip.  I was really fascinated with all the sculptures I saw in Italy and enjoyed drawing them.  My idea - paint part of the Trevi Fountain.  I know hey, neat idea.

2.  Paint my picture: I used my regular watercolours from my portable kit, very small brushes, very fine permanent ink pen (01) and painted my picture on Arches 140 lb Hot Press paper.  I knew there was going to be lots of details on such a tiny picture so I needed a smooth surface, Hot Press paper has that.  I painted a solid orange piece of watercolour paper as well to act as a border to my picture.
To varnish watercolour, use 4 or 5 light coats, allow drying time between each coat then give it a few days to really dry.  

3.  Varnished my watercolour: Yes, this is where it gets a bit tricky.  The watercolour must be protected.  I know there are some acrylic mediums that I could have put over it but I wanted the clean, crisp image of my ink and watercolour.  So varnish it is.  Several coats.  4 or 5 are good, with drying time in between.  Golden Varnish -Archival Varnish (Matt)
There are several different products in this line, I just buy this one and use it for all my things.  It gives a good strong bond. 

4.  Glue the watercolour to my book:  I use Golden Soft Gel Semi-Gloss. It has a good medium thick consistency that really makes me feel it fills in the gaps and holds my paper to the book.  I used this to stick the two pieces of watercolour paper together first.  Left it to dry with pressure on it for a good solid bond.  Once dry, I then stuck my picture to my book using the same gel.  I left it over night with pressure on it, just to be sure it was dry.
These pens are pricey but are easy to refill. They come in a variety of colours. 

5.  Add my Text: I love these Molotow Pens.  They are acrylic paint.  Ok, so I am not a purist.  I do use a bit of acrylic paint for some things.  I used a white 1mm pen.  If you decide to get one, I would suggest you get a 2mm pen.  I found the 1mm was too narrow and required lots of extra work to get thicker letters.

Now isn't this a more inspiring Sketchbook?!
Ta Da!!  Now this is a book to inspire you to do more!!
Can't Ignore the BACK: Found this little memory of Florence in a book stand 

Final Notes: 

1.  Don't feel you have to paint everything: ink with a bit of colour can be very interesting.  Check out some of my pages in the last two posts and you will notice some are only partially painted.  This is not only an aesthetics thing but also a time save.

A bit of sky and painted my gondala, the rest tells my story without more colour. 

2.  Report on New Colour to my Kit: I mentioned that I was not happy with the Indathrene Blue and it was not coming to Italy.  I decided to try Daniel Smith's Neutral Tint.  It was great.  It gave me a quick dark when I needed it and it was great for a little graying of a colour when I needed it.  When you are working with a little kit and little space for mixing, having a quick colour changer is very nice.

Looking to get your Sketchbook Up to Snuff: check out my Italy series on Sketch-Booking: 

1.  Is Your Sketchbook Ready to Roll
2.  My Really Smallmendous Art Kit
3.  Did you Test Run your Portable Art Kit
4.  Sketch-Booking in Italy - Part 1
5.  Sketch-Booking in Italy - Part 2 

Next post - Looking for something different than ink and watercolour for your sketchbooking. Coming Up, another medium that might catch your eye.


My Etsy Store is always OPEN: Etsy - WendyMouldsArt

Originals, prints and Instant Printable Cards for all Seasons available.


Join me for a morning of  Outdoor Sketching: 

Small group Outdoor Sketching Classes on Tuesday morning, July 30, August 6, 13, and 20.  The classes will be small, max  5.  We will meet at 10-12:30 in a few of the local parks in North Surrey.  ie. Bear Creek Park, Tynehead Park.  The cost is: $45 tx incld. per session  Book all 4 sessions for $150. Bring your own supplies
Contact Me to register.   and for more information. 

FYI
Plein Air Event at Kilby Historical Site - August 16 -18, 2019


215 Kilby Rd, Harrison Mills, BC – approx. 1.5 hr drive from Vancouver
(or stay our there. I like to camp at Kilby Campsite but there are lots of  places to stay close by.  Makes for a great little adventure.)

 On Friday, Saturday and Sunday morning, painters will be capturing  breathtaking historic vistas, 1920s farm equipment, historic buildings, lush gardens & orchards, delightful farm animals and surrounding mountains.  Not hard to find something to catch your eye.

This is a fun, outdoor adventure for everyone.  Sunday afternoon, brings live entertainment and awards ceremony.  There is a competitive and non-competitive part to the event, so great prizes for everyone.  Cost $15 Registration: events@kilby.ca  more info: kilby.ca

I have been part of this event since it started 5 years ago and I never get tired of wondering the grounds and finding little vignettes to paint.  I know you will enjoy yourself.

If you decide not to join us to paint, come out and see the fun.  On Friday and Saturday,  Artists are set up all over the grounds working away or come see the 'Showing and Sale' on Sunday.

Be sure to like and share my posts.
You won't miss a single post if you Follow by Email or Like my Facebook Page.
Have a great Artful Day,

Wendy

Jun 6, 2019

Sketch-Booking in Italy - Part 2 - Painting & Drawing Tips

My Sisters and I at the Leaning Tower of Pisa 
 Okay, I must admit, I have been home for 2 weeks now and sometimes it seems like a dream. 
How can my trip be over, already?

Have you been there?  Planned, dreamed, organized and packed.  Headed out on adventure. 
Then suddenly it is over. 

But . . . .
I have awesome memories.  So do you, I am sure. 
I have awesome pictures.  For sure you do as well.

But. . . .
Do you have an awesome sketchbook too? 
I know that was your goal, to put together a journal/sketchbook of your trip.  You collected stuff, started stuff, but now you are home and  . . .  

Been there, done that.  So disappointing. 

A few sketches from our visit to Cinque Terre

I have pledged to improve and improve I have.  Each year I juggle and change my kits, try new sketchbooks, practice new skills, things are really starting to work.  (Compare the difference in my sketchbook 2 years ago when I went to Scotland to now my Italy book. Scotland Post ). I certainly haven’t reached perfection  . . .

But quantity and quality and daring has improved. 

Here are some of things I tried that might inspire/help you to make your Art a bigger part of your adventures.  (See Sketching Booking in Italy Part 1 for more suggestions.)

The Skyline of Florence was drawn from Piazzale Michalango, the busts were done in the evening from my photo, writing and Panna Cotta on a lunch break

1.       Work in Stages: Once I fully accepted this idea, it was actually a very freeing thing to do.  I no longer felt anxious to “finish” what I was doing.  I didn’t feel I was ‘on the clock’,  my sisters would be back and things had to be finished.  I could relax and just draw/paint. I think it actually speeded me up.  Often when they returned I was wrapping up, feeling tired and ready to move on. My secret, I first took a picture of what I was going to work on.  This meant I could go back later to add more, paint more or . . . .  (See more ideas on Prepping your book before you go here)

Trains and Planes have handy little tables that let you finish up work on the page or add a little extra.  

2.      Start with my most important ‘thing’:  this actually sounds very simple when I write it but in life it is really difficult.  When faced with a Huge Amount of  Very Interesting Things, ie.   Rome’s Colosseum, Vernazza, one of 5 villages of Cinque Terre.  It is overwhelming.  You want to capture everything.  Where to start?

Picture of Venice canal was my focus but once that was done I decided to add the front of a gondola to change the perspective a bit.  Also, left most of the picture just ink, colour for the sky and colour for the foreground.  

When I accepted I couldn’t do it all, it changed my thinking.  I started to pick something that captured my eye and worked from there.  This meant I jumped in faster, got to work faster, felt confident faster.  Once, underway I moved further and further out from my focus point.  I felt I ended up capturing more and more of everything.  I really feel it was my change in philosophy that helped. 

The carousel and the Leaning Tower of Pisa were jump in and draw pictures.  A few pencil marks to set the space for the building in the bottom, then get too it.   

3.      Minimum Layout, jump to pen right away: Okay, I admit, this may be hard for you to do but you might want to set this as a goal.  Part of this means letting go of perfection and part of this means building confidence to jump in and draw. 
My favourite Outdoor Sketching medium is ink with watercolour.
  I start with ink.  I found I  just grab my book and pen and ‘going for it’.  No pencil first.  This really speeds things up as I am not reworking areas that were first done in pencil.  I know you are going to say, you can’t make changes once that permanent ink is down.  But if you work in ink for awhile you will soon learn that mistakes can ‘disappear’.  They get lost in the detail, in the crosshatching for shading, become a tree/bush/window, get covered in paint . . .   There is a host of things that can hide a wayward line, if you let go.  And move on.

Taking a break to sketch on the Spanish Steps, Rome, Italy

4.      Minimize Disruptions: Ok.  The one thing I haven’t talked about is the other people around you.  There are lots.  Let me tell you, on the Spanish Steps in Rome, there were tons of people.  But . . .  I find people are the same everywhere.  They love to see what your doing.  They love to watch.  But they do respect your space.  Very few will interrupt you while you work.  Once your stop, look around, make eye contact - you are giving them permission to talk.  So if you don’t want to be disturbed, keep your head down and pen/brush moving. 

I love the old buildings and the Church at Bagnoregio and Orvieto

 In Bagnoregio a large group of Japanese tourist came by while I was sketching the courtyard on the page above. They watched, they hung over my shoulder, they took pictures of my book, me and even sat beside me and had pictures taken with me.  All without disturbing me.  When I finished a section and looked up, we smiled and nodded and moved on.  It was kind of a neat experience for all of us. 

5.      Finish your book with a flair: This is the finale for me.  The big motivator.  I take my plain navy book and add some life to the cover. And yes, this is something I do when I get back home but it could also be done before you leave.   More on this in next week's post.  


My Etsy Store is always OPEN: Etsy - WendyMouldsArt

Originals, prints and Instant Printable Cards for all Seasons available.


Join me for a morning of  Outdoor Sketching: 

Small group Outdoor Sketching Classes on Tuesday morning, July 30, August 6, 13, and 20.  The classes will be small, max  5.  We will meet at 10-12:30 in a few of the local parks in North Surrey.  ie. Bear Creek Park, Tynehead Park.  The cost is: $45 tx incld.per session  Book all 4 sessions for $150. Bring your own supplies
Contact Me to register.  

Be sure to like and share my posts.
You won't miss a single post if you Follow by Email or Like my Facebook Page.
Have a great Artful Day,

Wendy