As you know I am a Black Ink Artist.
I love the crisp, sharp, dark Mark that my pen
makes.
It doesn’t bother me that it is permanent, never
to be erased. I can live with that. I know many can’t.
However, my artwork is not always about crisp,
sharp, dark Marks. . .
QUAIL ON THE GRASS - 8 x 10 Matted, Carbon Pencil $130 |
I am also a Pencil Artist. I love the soft, touch of graphite on
paper. Many of you have seen my pencil
drawing and know what I mean. Special Moments, below is a classic example of what I like to do with my graphite pencils.
SPECIAL MOMENTS - 16 X 20 Matted, Graphite, $550 |
As you can see the graphite can be blended to
make the coat of the seals sleek, you can feel it. On the other hand, the rough coarse rocks are
enhanced by the course texture of the graphite.
I love that.
But there is a problem . . . .
I am always searching for a better Dark. Referring to a value scale with
#1 being white, the #10 being the darkest. It is a better #10, that I yearn for. My pencils are a mixture of graphite and lead
or clay or carbon. With the lead or clay
mix, there is always a gray tone to the graphite work. The carbon blend has a darker, blacker,
colder tone. I find with my animals I am
drawn more to the gray tone. Hence my
use of Derwent or Caron d'Ache pencils.
But change is in the wind. . . .
I have found a new Dark Side. Carbon pencils by Wolff. Inexpensive. Easy to use. And produce a very
dark, dark. I decided to give them a
try. (Carbon pencils are a combination
of charcoal and graphite)
Drawing with Carbon Pencils - a Trip to the Dark
Side . . . . with my Quail
A selection of Wolff's Carbon Pencils, vinyl eraser & kneaded eraser |
Notes from my trip:
1.
Loved the dark, using the BB and BBB pencils I
could get lovely darks without pressing too hard. Then meant I could use the tooth of paper for
added texture. A big plus
2.
The B, BB and BBB were soft.
Creamy. Smooth. To draw with. A pleasure
to work on the paper. However, the H and
HH were very hard, scratchy. Definitely
not the same appeal there.
Comparison Marks with some of my Pencils |
3.
Although the Dark was great, it was difficult to get lighter values. Pressing lightly with B pencils give a
lighter value but can be laborious for a larger area. However, changing to the harder pencils results
in not only a lighter value but a different hue as well. Note on the practice sheet - the B pencils
are a cold dark black where the H and HH pencils have a more silver tone to
them.
4.
Erasing and softening. This
really was the issue. Lifting the carbon
with the kneaded eraser was difficult.
It certainly didn’t want to come off easily. Softening the mark with the kneaded eraser
was much easier. However, it changed the
mark. It is a subtle change but then you
know, sometimes those subtle marks can make or break your image. When I look at the quail on the upper left
side of his chest, the marks there are blurry.
It is not my photography that did that.
I had decided to change the marks I was making and as soon as I
touched it with the kneaded eraser, I could see I had lost some of my texture. (That granular effect that is
prevalent throughout the image.) This is
something to think about when working with the carbon. Your mark is not easily changed once put
down. (I know, a bit like my black ink. I
have learned to live with ink's permanence so I know I can learn to manage it with carbon).
5.
Fixative. Still very
necessary. Drawings need to be
protected, just like graphite. Workable
fixative can be used, and drawings can be worked on again after spraying if
needed.
6.
Archival. Carbon pencils like
graphite pencils will not fade. If
handled right carbon will far outlive the paper/support, it is on.
Will I give up my graphite for carbon?
No. I
will use the carbon pencils for some drawings but when I want that hyper-realism,
I will stay with my graphite. I like the
range of values I get with it. I enjoy
the realism of my birds and animals in the silver tones. I find them reminiscence of old
photographs. That sense of time gone
by. That grounding of history that comes
with it. It is a language I love.
But yes, I will use them again. Like my pens, they have their own enticement. Their rich, velvety, matte lines draw my eye
and will bring me back to draw with them again.
How about you?
Do you draw with carbon pencils?
Other posts on Graphite Drawings:
Why Graphite?
Why Graphite?
Get Ready for Christmas!! with a Fun Way to Improve your Drawing Skills
This year's theme is Candles, Holly and Poinsettias |
Christmas Card Classes
Saturday, Nov 16, 10-12pm. Art by Wendy's Studio, North Surrey
Wednesday, Dec 4, 1-3pm. Gardenworks at Mandeville, South Burnaby
Treat your Friends to a Special Christmas Greeting
All supplies Incld $40 Contact Wendy
Book a 3 Pack of Private Lessons with Me - 3 Lessons 2.5 hr each $225
Drawing lessons in graphite, carbon, ink, watercolour, watercolour pencils or coloured pencils.
Based on your Schedule at my Studio, N. Surrey.
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Contact Langley Opus to Register 604.533.0601
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Wendy
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