Oct 18, 2018

Working Big and Small - Painting & Drawing Tips

Smack! 

Swissssh! 

Smack! Swisssh! 

Smack!


Oh, that awesome sound! That feel!  There is nothing like a well hit golf ball.  It is effortless. When. It. Is. Done. Correctly. 

So much like drawing . . . .

You take your pencil, set it to paper,  Swissssh your arm and watch.  A perfect line appears. One that accurately describes your subject. It feels wonderful.

But life is not always like that . . . .


Wendy with the Indian Pipe Mushroom Family - Charcoal & Conte 

They say you need to do your 10,000 hours in order to do something really well.  I hate to agree with Them but I think they may be on to something.  I had a bit of an experiment going on with  two of my students last week.  They are both very talented and do lots of drawing and painting, but always working small, sitting at a desk/table.  I felt they needed the experience of working in a larger space and really getting their body involved with their work.  I also knew that future Art Classes for them would be working on easels and they needed to feel/have that experience. 

So we tried a little experiment . . .

First off we did a normal session working with some Indian Pipe Mushrooms as our subject.  (I know, I seem to be totally on a mushroom trip right now. It must be our fall weather.  And the best mushroom growing conditions in years). 

For this first session we worked our normal 1.5 hr session on developing a cluster of Mushrooms using our usual graphite pencils. 


Session 1:  Small Graphite Drawing using Derwent 2B, 5B, 8B pencils


Session two was the same subject, but now on 18 x 24 inch paper.  Again using graphite but much larger pencils.

Session 2: Large Graphite Drawing with 2B and 6B Sticks

Session three, same mushroom cluster,  same large paper but now using charcoal and with sepia conte.  All sessions were 1.5hr. 

Session 3: The Indian Pipe Mushroom Family, Charcoal and Conte 

Results were interesting . . .

1.     With each session we got more done.  You would think the smaller pictures would be finished the fastest but in fact that was when the least amount of work was completed. For both of the other sessions we had to spend a bit of time to learn how to use the materials before starting.  So in fact the last 2 sessions had less drawing time.
2.    Values got bolder, more varied.  The Mushrooms became more alive and interesting
3.    Less erasing.  When I explained in the third session that with Charcoal you really wouldn’t be doing any erasing there were a few worried comments.  However, once they got into the drawing, those disappeared.  In fact, the only erasing was at the end to bring back a bit of the light.  This was more a result of inexperience with the material than anything else.

Takeaways . . .

1.     More confidence - definitely a big win here.  Working with the same subject, learning about its characteristics meant lines and strokes were more confident and purposeful.  
2.    Using the full body for the big swoops - this may be related to the confidence but it was great to see the big swoops happening rather than the short stroke, stroke, stroke, to do a long sloping line
3.    More standing back to evaluate - Standing is a bit tiring,  OK, I admit it.  It is one of the downsides of working big.  I did find I was tired of standing by the end of a 1.5 hr session.  But on the upside, because you are standing you are more apt to move around. Step back from your work and evaluate what is happening.  This is a big one.  You see the drawing as a whole, rather than your little working spot and this puts you in a better space to see what is happening in terms of patterns forming, composition, and values. 

Does this mean I can’t work smaller? ? ?

No, I still plan to work at my drawing table and enjoy myself immensely.  But it does mean I will explore a subject more, spend more time drawing and working with it.  It is also a good reminder to keep lifting my drawing and putting it on an easel and sitting back and studying it.  See what is happening as I work away.

Do you work big and small?  Any observations/takeaways you have from that experience?

More thoughts on focusing longer on a subject see here.


Opportunities Coming Up: 

1.  Nov 1, 7:30-9 pm,
The Secrets of Graphite - Thursday Night Art Talks
 with Wendy Mould AFCA, CDM.  Surrey Art Center, 13750 88 Ave, Surrey.
Learn how to make magic with pencil - Artists have been doing this since 1564.

2.  Thursday, Nov 22-Saturday, Nov 24

Paints'n Bloom Workshops & Art Show & Sale in Support of the Alzheimer's Society of BC
Gardenworks at Mandeville Gardens, 4746 Marine Dr, Burnaby

Workshop Day: Tuesday,  Nov 20

10-12pm - Beginner Watercolour Class


1-3pm Christmas Card Making Class

$40 ea. All supplies incl. Beginner to Advanced Welcome
Registration Happening Now Contact Wendy 

Artists reading this post also find the following valuable: 
How to find the Right Sketchbook Friend - here
Is Your Sketchbook Ready for You? - here
Have You Felt the Freedom of the Line? - here

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Have a great Artful Day,

Wendy

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