Apr 20, 2023

Composition: How Shape & Patterns Set up Your Art Work - Painting & Drawing Tips

Did you watch the Master’s? 

ROCKY SHORES OF HICKS LAKE - Ink drawing on Wood $750

Have you seen the awesome way they track the drives on the screen.  Let’s face it, those pros hit so hard and far it is nearly impossible to follow the ball on the screen.  But really you don’t have to anymore.  Their app takes over and show you the arc, distance and line the golf ball follows. 

Maybe this is good for watching golfing on TV . . .

 but your Art Work needs a different mode of attack. . . .

 Your viewers want to jump in and look at your work.  Some start at the left side and move across others jump to the middle and move out.  If you want to keep their attention you need take control.  Unfortunately, there is no app for that.

 Shape & Patterns can HELP  . . . 

To do that look at the abstract piece from my sketchbook.  It really brought the idea home for me. 

JUG WITH TULIPS - Sketchbook Activity


There is a flow created by the shapes and patterns.  Coming in from the left side causes the eye to follow the sloping diagonal going from the top left to the bottom right.  This should take your eye out of the picture.

But it doesn’t. . . 

There is an eye stopper on the right, the dark blue shape.  It grabs your eye shoots it up to the pink and yellow pattern area.  From there the eye dances around the tulips, hits the zigzag line and moves back to the left.  The circular route starts again.  Notice whether your eye comes in from the bottom or the right, it picks up the same path. 

I know that colour  and value is also playing an important role, and I don’t want to discount that.  But instead, I am focusing on what shape and pattern can contribute to the game. 

JUG WITH TULIPS - converted to grayscale

Check out the picture in black and white. 
The movement is still there. 

JUG WITH TULIPS - some of the pattern replaced with solid blocks of value

Here I removed some of the key pattern areas and replaced them with solid shapes.  Most of the movement is still there but you can feel that the it is not the same.  The eye seems to dance across those pattern sections and at the same time enjoy the movement.  With the pattern gone the eye just whizzes' by and I think even become a little bored.  What do you think?  

**As a secondary note, can you feel the tension caused by the two focal points?  The box shape and the flower pot.  The eye wants to dart back and forth between them but the strong movement from shapes and patterns keeps it moving in the circle. 

Rocky Shores of Hicks Lake - Eye Movement

When you look at my drawing ‘Rocky Shores of Hicks Lake’, can you see how the pattern and shapes catch you in a circle.  If your eye enters from the left (most North Americans read a picture from left to right), it is grabbed and moved to the right.  The dark, mixed shapes of the rocks move your eye up.  This should send your eye up and out but it doesn’t get a chance.  The light airy patterns created by the leaves of the bush and the soft grain of the wood capture the attention.  As the eye wonders through this area, the darker shapes draw it down and back to light rocks in the front.  The circle begins again. (Notice how those few little leaves on the left, block your exit and keep you moving along.)  

Sketchbook Study of Rocky Shores of Hicks Lake

I found this a very interesting phenomenon.  When I saw the rocks and bushes paired together by the shoreline of the lake I was drawn to them.  I photographed them and did a sketch of them.  I found the sketch very powerful. It seemed to grab my eye and demand that I look.  And keep looking.  I kept telling myself it was just some rocks and a bush.  The idea stayed with me so this winter I started working on the drawing. 

Awesome Opportunity - 2 Artist Retreats in the Shuswap

June 23-26 or September 15-18, 2023

Join me for 4 DAYS of Outdoor Sketching, nature walks, deck and beach time, creative conversations, gourmet meals and simply relaxing 

Your Hosts, Joanne Denis and Myself.   Cost: $450 single room or $300 shared room
Art instruction, transportation (from Lower Mainland), meals and lodging included (Bring your own art supplies.  Space is limited to 8-10 attendees, Register Early 

Outdoor Sketching Classes - Dates are HERE!!

Outdoor Sketching Classes

Thursday, June 29, 10-12:30pm;  July 6 & 27, 10-12:30pm
  August 3 & 10, 10-12:30pm 

Experience the Joy of Sketching in Nature with Wendy
2.5 hr classes; located in Surrey Parks;  Beginner to Advanced Welcome. 
Class Size: Max 3  $55 per session
 

Available for booking special outings for you and 1-2 of your friends. 
Gift Certificates Available.


Original work, Commissions, Private Drawing Lessons, Prints and Cards of her Work, 

Be sure to like and share my posts.  You won't miss a single post if you Follow by Email 
Have a great Artful Day,
Wendy




Apr 4, 2023

3 Strategies that Produce Good Reference Pictures for Painting - Painting & Drawing Tips

Spring Weather is Here!!! 
While it's here today anyway.  Hopefully it is here to stay.  

This is the time when you grab your camera and start taking pictures for new works.  Everyone has a camera now, thanks to Apple.  And of course those cameras are clicking steadily.  

Closed for the Season - Watercolour, 16 x 20 Matted $550

But are you getting good reference pictures that you can work with?  

As a Wildlife artist I am constantly looking for wildlife and settings that would make for a nice place to put my wildlife.  Why am I looking for settings you ask.  Well, I find birds and animals don't always pick the best spot to be photographed.  A bird perched on a wire is not as interesting as one on a branch in the forest.  But its the birds on the wire that sit the longest for those good shots!!

Needless to say, I have tons of Reference Pictures. But when I go to paint with them, I realize many are useless.  Here are some of things I found very helpful when taking my shots.  

3 Strategies That Produce Good Reference Pictures

1.  Good lighting: Take reference pictures on a sunny day to get great shadows to work with.  Sure you can see all the details in a picture on a gray day but when you paint it, it will be flat.  Those shadows bring things to life.  

Two Seagulls: one with shadow patterns one without.  

Here you can see two Seagulls. (I have reduced them to grayscales for better evaluation)   The one on the left is clear, every detail can be seen.  It has been shot in low light conditions, probably a gray sky.  The seagull on the right has sunlight and shadows. Not all details are clear, some are buried in the shadows.  But which seagull catches your eye.  The shadow and light on the face of the seagull on the right has a strong contrast that grabs and holds your attention.  That's what you need if you want a bit drama in your work.  

2.  Stay away from the noon day sun.  Early morning and early evening gives lovely cast shadows that add interest and unity to your work 

Bright sunlight directly on the subject really washes it out.  

The bright sun washes out the colour as well as many of the shadows that add depth to your subject.  

Ducks in the evening Sunlight

Notice how the ducks have interesting shadows and lights that catch your attention.  And the late afternoon/evening light although bright is not so harsh as to wash out their colour.  
Tulip in the early morning light

This single tulip has soft interesting shadows that makes interesting eye candy for the eye.  


3.  Take lots: Zoom in and out and with the same light direction.  This can be a real game changer for you.  Often you see a great subject and snap a few pictures.  But the problem starts when you go to paint it.  

Some of the Reference Pictures needed for the painting. 

I was well underway with my painting, Closed for the Season.   I had a good little picture of a birdhouse and Towhee but then I stalled.  I realized my snow on the branches was not working and the branches weren't really right either.  Fortunately it was snowy here at the time (we actually don't get much snow and it usually melts so fast you can't find any on the branches)  I went for a walk and really looked at snow on branches and the kind of branches and underbrush I needed for my background.  And of course took more pictures. You can see the finished picture at the top with the changes I made.   

So take pictures of not only the subject but zoom out a bit and include the surroundings.  Try and keep the angle of light the same.  The vegetation and bits of things in the area may be just what you need to finish off your background or foreground. 

Have fun with your Photos, your work will definitely reflect this extra knowledge of the surroundings. 


Awesome Opportunity - 2 Artist Retreats in the Shuswap

June 23-26 or September 15-18, 2023

Join me for 4 DAYS of Outdoor Sketching, nature walks, deck and beach time, creative conversations, gourmet meals and simply relaxing 

Your Hosts, Joanne Denis and Myself
Cost: $450 single room or $300 shared room
Art instruction, transportation (from Lower Mainland), meals and lodging included (Bring your own art supplies.  
Space is limited to 8-10 attendees, Register Early 


Original work, Commissions, Private Drawing Lessons, Prints and Cards of her Work, 

Be sure to like and share my posts.  You won't miss a single post if you Follow by Email 
Have a great Artful Day,
Wendy